Throughout our exploration of Benjamin Benne’s powerful script, I was moved by the text’s double life as a love story and a waking nightmare, and challenged by the questions it revealed. Alma and Angel’s story is a familiar one on the surface: a family trying to joyfully move through quintessential milestones of the American Dream even when uncertainty chips away at courage and resolve.
Alma is activated by the specificity of its place on the timeline: the crisis and conflict that defined the 45th presidency, the horror of detainment and deportation at the U.S./Mexico border amplified on the world stage, and the tragedy of assimilation – existence in a liminal space, searching for belonging, navigating struggle, personal sacrifice, dissonance in familial ideals, and generational division. Then and now, narratives around immigrants and asylum seekers have used fear to perpetuate misconceptions about the road to citizenship, without care for the impact white-supremacist and xenophobic legislation has on families across the continent. I invite you to reflect on that time, the fears you may remember encountering, and the tremendous changes that have occurred since then.
What is the scariest force you can imagine entering your home, and destroying your family?
How would you respond if you discovered what haunts your nightmares and has been hiding in plain sight all day?
Alma and Angel must face their fears this evening. As they face and attempt to wield fear with compassion, may they have the courage to step further into the dark and towards one another.
We offer this piece to our dear Mother. Our dear mothers. Gratitude to the mothers who advocate for and protect us. Gratitude to the caregivers who fill our bellies and teach us mutual respect and devotion, who make a way before us and dress our wounds. Gratitude to the young ones who open their hearts with compassion and care for their elders – whose futures we endeavor to protect.
We remind them of a history they want to forget.
We proclaim the history they cannot ignore.
Denise Yvette Serna
Director, Alma by Benjamin Benne